After years of research and dedication Fraser Maclean's new book 'Setting the Scene - The Art and Evolution of Animation Layout' is out now. The Last Belle is included inside as part of the material on Roy Naisbitt's legendary work at the layout desk, including some of his previously unpublished roughs and final background work from 'The Thief and the Cobbler' and 'Who Framed Roger Rabbit'.
To link to the festival click here
To link to Fraser's book on Amazon UK click here
To link to Fraser's book on Amazon USA click here
Wednesday, 26 October 2011
These blogs are a great way of posting information, but they're annoyingly set up to make it difficult to respond to individual comments. So to those who have posted nice things about The Last Belle, and to those who have spoken to us after the London Film Festival screenings : Thank You!
And in reply to a recent post asking where we will be screening next... watch this space! We have some more festivals being lined up here in the UK, and some more planned for various locations around the world. As soon as we have confirmation of any screening I'll post it here.
|John Leatherbarrow, Jim Maguire (co-writer), Neil Boyle,|
Lyn and Roy Naisbitt at the London Film Festival (photo by Ed Roberts)
Sunday, 23 October 2011
The Last Belle has just finished its final screening tonight at The London Film Festival where we had the pleasure of being part of a programme of shorts including new work by Barry Purves and Spike Jonze. Thanks to everyone at the festival for making us so welcome.
|The National Film Theatre tonight, lit up against the Thames|
Wednesday, 19 October 2011
The Last Belle had its first screening last week in front of an audience of crew members and friends, and a very happy evening it was. In keeping with the theme of 'old and new' that keeps recurring in all aspects of The Last Belle, the audience ranged from 3 to 81 years of age. Once the younger ones had been tucked up in bed, the older ones headed to Soho's 'The Dog and Duck' to help wet the film's head. Here are a few pictures from the night (photos by Simon Maddocks)
|Upstairs at The Dog and Duck|
|Rod Howick (voice breakdown), Bella Bremner (sole assistant animator on The Last Belle)|
and Roy Naisbitt (legend, and layout artist)
|Mark Naisbitt (animator) and Rebecca Neville (producer)|
|Brian Stevens (one of the great names from British|
animation and a great friend too)
|Tanya Fenton (who patiently endured 4 or 5 years of being my assistant|
animator at Richard Williams studio) and John Cousen (who ran
the Effects Department at the Williams studio)
|Mark Naisbitt and Neil Boyle (director/animator)|
|Roy Naisbitt, Sam Spacey (tracer) and Angeline De Silva (painter)|
|The editing department: Chris Richmond (editor), Ivan Naisbitt (chief editor)|
Mark Naisbitt, and Paul Naisbitt (editor)
Saturday, 15 October 2011
Wednesday, 5 October 2011
Tucked away inside this labyrinthine building are endless examples of material, clothes, decor and assorted design from across the centuries, including massive tomes of wallpaper samples through which we were allowed to leaf with gloved hands, as if they were ancient religious texts. More and more volumes were brought up from the bowels of the building and wheeled towards us on trolleys. We spent a whole afternoon poring over this stuff - thousands and thousands of designs lovingly stored for history. Mark sketched several ideas based on the 'feel' of the period we had chosen, and finally we agreed on a new design. Mark christened the design 'Lozenge'.
|This is 'Lozenge'...|
|...and here it is multiplied up.|
|With subtle perspective...|