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|The crowd assemble in London's Empire Leicester Square theatre...|
|The Radio Times cover, drawn by Assistant Director,|
and general Top Man, Robin Shaw.
|One of the articles inside, featuring Aude Carpentier, a terrific assistant|
animator and brewer of wake-you-up-with-a-jolt morning coffee, for
which many of us in the studio were grateful.
|Roy (in the foreground) talking cameraman John Leatherbarrow through his|
elaborate Last Belle background layouts. The rostrum camera stand is lit and
ready to shoot in the background.
|WHY HAVEN'T YOU PUT IS AWAY NEATLY IN BOXES? say the multiple Rosies.|
|Rod Howick (left) next to Roy Naisbitt, at the Last Belle crew screening.|
|This was my first scribbled idea for a poster...|
|The idea was to base the poster around the|
distorted checkerboard pattern used for the
'drunk in the Underground' sequence. I made
this mock-up at A3 size, but then decided it was
too fussy a design to work if it was reproduced
small on a web site...
|In the process of simplifying, things got|
maybe a bit too crude. Another rejection.
(Incidentally, my giant self-promoting name
on these mock-ups is not an example of my
ego slipping it's moorings but -like the web
address text- was used as a proxy for an
area of finer text in the final. That's my
excuse, and I'm sticking to it.)
|I got Roy Naisbitt in on the act too. Here's|
one of Roy's rough sketches laying out the
journey that happens during the film.
|Another version. But again we felt this would be too|
fussy when reproduced small.
|My 'Eureka!' moment, caught on the back of an envelope.|
|...Which led to this mock-up. I finally felt happy with|
an image that hinted at the story, principle character,
feel, and location of the film. And which would read
when reproduced small.
|The final image, with a lot of additional digital lighting effects,|
text, and details added by my pal Kirk Hendry.
|A small section of Mount Lastbelle|
|Me with maestro animators/directors Geoff Dunbar and Oscar Grillo|
|Photographus interruptus - Oscar Grillo, Geoff Dunbar, Peter Lord and |
illustrator David Melling looking slightly alarmed...
|All images copyright Wolfgang Suschitzky|