The hunt was on for a new shirt design. First of all I needed a shot of a shirt shop (how's that for a tongue-twister?) I made this horribly crude sketch:
I was struggling to draw the shirt shop because - as anyone who has ever set eyes on me will agree - fashion is not my strong point. In fact I don't even have enough fashion sense to come up with a design that has a lack of fashion, which is what I needed in this case. So I turned to Last Belle producer Rebecca Neville, who luckily is not only a great producer but a dab hand with the pencil too. And here are just a selection of the designs she came up with:
And there are many, many more...
I finally decided on a more geometric pattern that I thought would be OK to hand-animate through the various perspectives required, and made this sketch:
In the meantime I was working on the Last Belle script. I wanted a ten page script (to make a roughly ten minute film) but had ended up with a seventeen and a half page script. So I tore out the middle pages of the script, sat down with my old pal Jim Maguire, and talked through how to restructure the film. After some re-writing we ended up with... a seventeen and a half page script. Again. And no matter how many pages we tore out, and how many ways we re-wrote the story, we always ended up with a seventeen and a half page script. It just wanted to be what it wanted to be...
But early on in this re-writing process I lost the whole 'getting a new shirt' sequence. Wally started with his flowery shirt, lost it, and remained semi-naked for the rest of the film. It made the story flow faster.
All the animatic and design work we had done on the New-Shirt sequence got trashed. Or so I thought until it turned up at the bottom of a storage box. (And if I hadn't stumbled across it for this blog I doubt I would have even remembered this sequence was once planned.)
I'm as surprised as anyone at the things that crop up on the pages of this blog.
Your ideas are practical, interesting, and easy to follow.
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